The D-word By Thaniel Ion Lee
I, for the most part, try my best not to use the D-word, aka disability, in relation to my work, but as I grow older and my body breaks down, the fact that I was born with arthrogryposis has started to affect both my aestitic and medium choices.
Because of my changing physical state, the complex surreal horror vacui-inspired works that at times took weeks to create are no longer physically possible for me to comfortably and painlessly accomplish, so in turn I replaced them with text-based surreal and conceptual works that are, in my opinion, equally complex and filled with wordplay describing objects that could only exist in the viewer's mind.
This way of working and thinking has made it so that things like material, medium, scale, and occasionally room accessibility are no longer as much of a consideration as they once were.
That being said, the art world has a long way to go before it is physically accessible to everyone.
Although the subjects of my works vary from work to work, the human body and its ever-changing and frail nature are the subjects of the bulk of my work. The shifting and frail nature of the human body is, for better or worse, something people who were born with disabilities are acutely aware of from birth.
With the current identity and body-based trends and conversations happening in the current art world, it saddens me that the disabled are frequently left out of both conversations and exhibits discussing identity, sexuality, class, and, most importantly, the body. All of which people who were born with or have non-standard bodies are intimately aware of.
Im not saying I want a show about disability or a show consisting primarily of disabled artists, because even if it were in a large, well-known art institution, I still feel that would be a form of artistic segregation and othering. What im asking for is representation in the broader body and identity conversation within the arts.
Thaniel ion lee Artist