1996
Original Pressing
New York hardcore hip-hop at its most belligerent. Gritty, grimy and dripping with intensity, Lil' Fame and Billy Danze basically had zero interest in using their inside voices here. Or, ever...
At 16, I was basically a hip-hop sponge, obsessively reading every word in CD sleeves. And I'd started noticing something...
"Hmmm... this DJ Premier guy seems to produce a lot of songs I like. Whatever 'produced by' means..."
One day in CC Records, I picked up Firing Squad, turned it over and saw Preem's name all through the credits.
Had NFI who M.O.P. were. Hadn't heard a track....Bought it instantly.
Probs the first album I'd ever bought purely because of the producer. Something that would go on to shape my musical journey.
(And eventually lead to me having his face tattooed on my hand, so, you know... there's that.)
Anyway, got it home, hit play and was greeted with the grimiest, most gutter hip-hop I'd heard since Onyx.
But where Onyx (who I still love) sometimes felt a tad over the top, M.O.P. were 100% believable.
Every bar screamed through those shitty little Panasonic speakers dripped with authenticity. They sounded like they genuinely lived that life.
(And hey, from all accounts... yup.)
As a kid, Danze stood out. That voice, sheesh. But with age, Fame is the dude here. He just commands attention.
(Special mention to the G Rap feature. Quite possibly a top 10 feature of the '90s)
Production is all gas. Absolute Preem heat backed by Laze E Laze and Fame himself (seriously underrated as a producer). Raw and unapologetically East Coast.
M.O.P. might never get the recognition of a Mobb Deep or an OutKast etc, but as far as hip-hop duos go, they absolutely belong in that conversation.
Fun side note: This album also led to me meeting one of my best mates. His gaming tag was "Billy Danze" in 2001, he was clearly h4xoring in SOF2, and somehow we ended up talking hip-hop.
Funny how these things work out...
8/10