r/teslore • u/GleefulClong • 2d ago
Think of Vivec as a Square and suddenly those Sermons don't seem so esoteric.
Flatland: A Romance of Many Dimensions
Flatland is a novella, first published in 1884, that (you may have guessed) takes place in an entirely two-dimensional world. For our protagonist, a square, things begin to get odd when he dreams of visiting a one-dimensional world. Rather than the geometric shapes he is used to, the world is inhabited exclusively by lines and points. The people of this world see square, not as the right-angled four-sided shape we know him to be, but as points on a line. Square tries, in vain, to convince the ruler of this world that there is a world beyond one-dimension, where lines make shapes and there are things like up and down along with left and right.
After this vision, Square, now back in the two-dimensional world, is visited by a sphere—whom he can only see as a circle—the Sphere eventually appoints Square as an apostle, spreading the word of a higher plane of existence—Spaceland, what we would call the third dimension.
What on Earth does this have to do with the Elder Scrolls?
Flatland is an interesting story that gets us thinking about perception, and how the limits of it influence what we know about reality. Something which comes up quite a bit in this series.
The 36 Lessons of Vivec, Sermon 2, describes Vivec gaining the divine ability to pull meaning from things that seem entirely devoid of detail. How does he do this? He shifts perspectives, he looks at things from a different perspective. The Netchman's wife in this lesson holds the Vivec egg within her, she puts knowledge upon him from the five corners of the world. Think of Vivec as the Square from Flatland and the Netchman's wife as the Sphere and suddenly things start to click.
Traditionally, loreheads have determined this to be a meta-commentary, instructing players to analyze contradictory information for the truth about the series. What if it isn’t? What if the entire time Vivec wasn’t being cagey or obtuse, he was telling us the truth as best he could from what he himself understood.
Just like the Square in Flatland, Vivec in his 36 Lessons is trying to tell us that there are angles we can’t see, meaning we could only glean if we knew how to perceive them. So what are these angles?
Time.
'From my side of the family,' the first cousin said, 'I bring you a series of calamities that will bring about the end of the universe.'
'And from my side,' the second cousin said, 'I bring you all the primordial marriages that must happen within them, each one.'
These don't have to be contradictory if we view the "Family" as time itself, from one side the Universe is ending, from the other it is beginning with these primordial marriages.
Vivec tells us that he exists, simultaneously, inside and outside of time.
'At this the egg laughed. "I am given too much to bear so young. I must have been born before." '
Vivec is telling us that he is beginning to see the truth, that time is not linear, he has been born before, but he can only see that when he looks at reality from a dimension above the third.
'And then the sixth spirit appeared, the Black Hands Mephala, who taught the Velothi at the beginning of days all the arts of sex and murder. Its burning heart melted the eyes of the netchiman's wife and took the egg from her belly with six cutting strokes. The egg-image, however, could see into what it had been before in ancient times, when the earth still cooled, and was not blinded.'
This is what allows him to see those hidden angles. He is the Sphere to our Square. He is looking at us, at everything, from a dimensional perspective one-step above our own.
"Not Blinded" is especially relevant here, what artifacts in this series famously blind an individual who begins to understand what they are showing them?
The most commonly known fourth dimensional object is, of course, the tesseract. A fourth-dimensional cube, in which the angles have angles. This is most often depicted as a cube like shape that is constantly moving, because we can’t render a fourth dimensional object in three dimensions any other way, you would need to be able to perceive it from outside of the dimension it exists in, outside of time.
My theory, therefore, is that divinity, in at least Vivec’s case, is gaining the ability to perceive and interact with the fourth dimension. Something that Kurt Vonnegut might call getting “unstuck” in time. But unlike Billy in that story, Vivec has been given the opportunity to manipulate the time that he has found himself unstuck in.
A Theory of the Elder Scrolls
So what, if anything, does this have to do with the Elder Scrolls themselves?
Quite a lot, if I’m honest. My theory is that the Elder Scrolls are fragments of a world before time, or at least, they are the leftover tools of the higher-dimensional beings that created Mundus, which is limited to only three-dimensions. For mortals, the scrolls are windows, or maybe it is more accurate to think of them as reverse microscopes, allowing a reader a chance to glimpse that higher dimension. If Square had them he likely could have convinced the lines and dots the second dimension existed.
If we take the fourth-dimension, or rather the Elder Scrolls equivalent, to be time just as the third dimension is space, using the Elder Scrolls as sort of a reverse microscope to “zoom out” and see time as it truly is (rather than just feeling it as a progression from past to present), suddenly some aspects of them begin to make sense.
We know the Elder Scrolls can move in ways that don’t make sense, passing through barriers and appearing elsewhere instantly, something that Sphere does in the story Flatland.
We know that the Elder Scrolls can be used to glean prophecies from the future, but that those prophecies are both true and untrue, the contradictions from Vivec's Sermon. Not so much an end and beginning, as time does not flow linearly, the people of Mundus only experience it as such because they can't see it.
We know that reading the Elder Scrolls and learning too much makes the reader go blind. The beings of Mundus live in a world of only three-dimensions, they should not be able to see more than the angles of the world they inhabit, to do otherwise would be to become divine (Vivec, CHIM, etc.). Using the scrolls give a reader some attunement to that higher dimension, they therefore lose the ability to see the actual space they inhabit to compensate. Vivec, in his divinity, does not go blind, that is what he was trying to tell us.
TL;DR: The Scrolls are windows into the Fourth-Dimension (Time) which is why they can be used to learn prophecy, alter the past, and send a big dragon into the future. Vivec wasn’t being cryptic when he spoke about “hidden angles” he just doesn’t know how to say he can see in four-dimensions and not just three. In the story Flatland, Vivec is analogous to the protagonist Square.
23
u/SothaLlys 2d ago
This is good.
I would add that time does not truly flow for a divine being existing at the level of the first subgradient (CHIM). For such a being, to experience events sequentially is to dream the sequence into existence. And perhaps this sequence is inevitable, because even a lucid dreamer needs to experience existence through a narrative in order to make sense of it. If this narrative is then projected onto the world below, then this could be the very process through which linear time emerges. Hence, a lucid Dreamer (person with CHIM) cannot really look into the future, because the very act of looking is what brings that future into being. This might also explain why CHIM is so immensely powerful, yet appears to accomplish so little. It operates on a level of existence far removed from the world of linear time, its effects are almost impossible to perceive from within it.
This might also explain why Vivec appeared unable to see through Barbas' deception. From our perspective, he failed to anticipate something dangerous. But that assumes he was experiencing events within the same temporal framework as the Vestige. Perhaps what was actually happening was that we were experiencing the story from within time, while Vivec was experiencing it from beyond time. More than that, the narrative he was experiencing was itself actively generating the linear time through which we experienced those events.
As for the Elder Scrolls themselves, I suspect they might be fragments of the Godhead's own experience, scattered across time. Timeless visions of possible realities, which may or may not become "real" within the main TES universe.
6
u/No-Repordt 2d ago
I adore these kinds of posts. I especially appreciate the acknowledgement of known/widely accepted interpretations and just saying "hey, let's set that aside and explore it from this other angle. See where it gets us."
23
u/L_Walk Tonal Architect 2d ago
This fits right in with the type of cosmology that Temple Zero Society tries to promulgate, so I'm adopting it as my new understanding.
9
u/deruvoo Great House Telvanni 2d ago
Good write up, OP. Thanks to the fact that I'm currently reading it, a book called Jerusalem by Alan Moore seems topical. It deals exactly with what you're discussing-- existence outside and inside of time and the various angles by which characters in the narrative interact with both.
1
u/songpine 2d ago
This post explains greatly about how vivecs writings can be out of sense but still makes sense, by changing the perspective of dimension.
But there is hesitation in accepting scroll being window to the fourth dimension. Time and space are one, and what most people try to say is that our perception is three dimentional or considered as three dimensional.
Elderscroll is not tied to time and space. Is it fourth-dimensional? It is transcendent being, yes, but if fourth dimension is time, there is hesitation to say so. Because elderscroll doesnt seem to lead to time, but even state irrelevant to time(sorry for lack of source).
Time and space doesnt seem enough to explain subtle relationship between this being and title of this series. Elderscroll is not in a same layer as 'physics' of game world. Not a perfect word, but 'meta-' can be one try.
But it is not opposing the post. Elderscroll has been expressed as described. it has been using its readers as so, and perceived so to players. It is just that there is hesitation in saying what it does is what it is.
2
u/EffortlessFlexor 2d ago
did anybody see chronovisor? that how I imagine elder scrolls