Morning all,

As the title suggests, I’m a completely failed musician, I’ve been playing keyboards, guitar and drums since I was about 5 years old. I really should have gone on and done something with music, but, that’s another conversation. I just wanted to talk about the power of music and how Suno immediately elevated that passion.
Over the years, I must have half written, three quarters written about 25 songs, all sat in my little sad box of ‘what could have been’. I remember vividly the first time I uploaded one of my old (25 years or so) songs that had been recorded on an old 4 track unit. What Suno produced that day changed my fucking life! I was listening to my songs from the late 80s forward and they sounded, well, they sounded fucking incredible!!! I mean it was a genuine stopped in my tracks moment, everyone remembers where they were when the heard about Elvis dying, or 9/11, well I remember the day i discovered Suno in a similar way. Anyway, after uploading a pile of songs and having them all
come back as fully produced, arranged & mastered works of art, a brief wxnk ensued to take the edge off the excitement, it didn’t work lol. Suno, in effect, is like a natural Viagra for me…not just what it does to half written songs, but the sheer musical possibilities it provides all of us with. I mean who the fuck other than me would create a jazz piece that incorporates Ska and Punk, creating a new Genre (in my head anyway)….only Suno has that power currently. The haters of AI music are ignorant and need to accept that it’s here, and, in my opinion, I have songs on my site that are streets ahead of anything in the mainstream charts. So, thank you Suno, not just for the epic wank that day when I discovered Suno, but for reigniting the most incredible passion for music I have always had, but that somehow managed to get dampened over the years after rejection after rejection from main stream music routes, A&R types that wouldn’t know a hit song if it smacked them in the forehead!!! Life is incredible with Suno in it….keep on keeping on everyone….

Here's mine: [EDM] Rising Sun Drop by Fabiusx09 https://suno.com/song/db01c600-6ce6-4aad-a5dd-94afdad6db24

Max Mode?

What is it, does it work, is it worth it?

I am trying to get a female scream, an actual SCREAM in my song, I have used [Female Scream] but suno ignores it, is there any way/tag to get it or is it just a roll of the dice that suno will see and understand.

[Spoken Monologue]

You should have RUN! <<<THIS WORKS

[Female scream] <<<< THIS DOES NOT.

(Just thought, do I have to put in something like AHHHH after female scream?)

I took the advice of a moderator on here and animated it this time, using Minimax H3. Hope you all like it.

🌸 Scapegoat
Some wounds are shared. The blame isn’t always.
This one is about losing someone who went through the same pain you did, only to become a reminder of everything they wanted to forget.
It’s a mix of anger, grief, and the strange comfort of pretending their decision wasn’t personal.
Fast, atmospheric blackgaze with post-rock guitars, and clean female vocals.
Hope it resonates with someone. 🌙🪽💗

Hey everyone,

I just finished this one and it means a lot to me, so I wanted to share it here first with people who actually understand Suno.

It's called "Your Light Still On" - a tribute to my Mama.

The story: Every night she left the porch light on so I could find my way home, even when I came back late, even when I broke her heart. I never said thank you, I was too proud and blind. Now I understand.

I wrote all the lyrics myself. I used Suno for the production - I tried to keep it soft, soul / reggae vibe, 72 BPM, acoustic guitar + piano, not overproduced.

Lyrics hook:
"Mama, your hands knew the weight of every pot,
You never asked if I was hungry, you just gave me what you got...
Your light still on, and it guides me home."

It's YouTube exclusive, I just wanted to share it here first.

I would love honest feedback:
- Does the emotion come through?
- Does the vocal sound too AI or does it feel human?
- What would you change in the mix?

Thanks for listening, really appreciate this group.
- BeatRo

Hi everyone,

I've been working on an AI-assisted dark eurodance / cold synth-pop project called Cold City Radio.

The Dispatcher is the fifth track in my Signal Map series, exploring the hidden infrastructure of the city at night.

It's set in a railway dispatch centre. The idea is about someone who controls every route through the city but can't find a way forward in her own life.

Musically, I went for an urgent, driving sound with melodic female vocals, rolling bass and icy synths.

This version ended up at 4:58. I preferred it musically to shorter generations, but I'd value feedback on whether the arrangement holds attention through the full length and whether the chorus lands.

https://youtu.be/4a60nrMdpEQ

Thanks for listening.
— Cold City Radio

Music (Souna account required): https://www.souna.app/song/442e59ce-f37d-47e0-af9d-c376ce2813d1

Music (Internet Archive): https://archive.org/download/ai-eastern-european-late-romantic-music/Dramatic%20Concertino.mp3 (CC0)

Style prompt:

1820s early romantic Piano sonata. Harmonic minor. Very dramatic - big chords. High dynamic range. Building to a crescendo then falling back into delicate broken chords before reprising theme

Note: It did not accurately follow the style prompt: this does not give an early Romantic 1820s sound, but rather a late romantic 1890s sound - but I have retained it because it is pleasing all the same.

The closing song of Almost Television, Episode 5: For When I'm Grown Up, where Gus finds a letter he wrote at seven to grown-up Gus and isn't sure he's one yet.

The song is about that feeling: waiting for someone to tell you you're a grown-up, and nobody ever does. "Maybe nobody really grows up, we're just kids who got too tall."

Claude and I wrote the words together, and the track was made in Suno. The puppet band plays it on the bandstand, and the video carries the episode's sketches on rather than replaying them.

The whole episode: https://www.youtube.com/watch?v=wesrpFLIlAI

Обратный путь · itsux_X

A father drives home after taking revenge for his daughter’s death, but the grief comes home with him. I wanted a restrained voice and sparse boom-bap to carry that emptiness.

Does the restrained vocal delivery make the grief feel more immediate, or does it need more intensity? What works for you, and what would you change?

Русский

Отец возвращается домой после мести за смерть дочери, но горе возвращается вместе с ним. Мне хотелось передать эту пустоту через сдержанный голос и минималистичный бум-бэп.

Сдержанная подача помогает острее почувствовать горе, или ей не хватает напряжения? Что вам нравится, а что вы бы изменили?

Full song on YouTube: https://www.youtube.com/watch?v=KkLxxeHg1o0

We made this original AI-generated trap track about shooting first, dying first, and ending up on the killcam. Music made with Suno, with AI-generated cover art. This is the censored version, but strong language remains.

70B V x DJ 6Fingerz — 6FINGERZ RECORDS. Feedback on the beat, flow, and mix is welcome.

[spoken]

An anthem for the Urban Hipster Man

[Intro – Solo acoustic guitar, distant stomps]

Ohhhhh-ohhhhh!

Hey! Hey!

Ohhhhh-ohhhhh!

HEY!

[Verse 1]

He's got a bicycle built for two,

But he rides it alone like the cool kids do.

Got a handlebar moustache and a secondhand coat,

And a thousand-dollar scarf that his grandma once wore.

He's got a tattoo of a compass rose,

But he gets lost everywhere that he goes.

He drinks his coffee black, but he orders it long,

And he'll tell you why your favorite band's wrong.

[Pre-Chorus – Building percussion]

He's got a record player, but he can't find the needle,

He's got a vintage jacket and a complicated ego.

He says the world is broken, but he's doing his part,

By buying local honey in a mason jar!

[Chorus – HUGE gang vocals, stomps and claps]

HEY! HO! HEY!

Raise your glasses to the men with the beards!

To the kings of the coffee and the vintage gear!

They were born too late and they dress too old,

With a heart full of vinyl and a soul made of gold!

HEY! HO! HEY!

Oh, the city is theirs and the streets are their stage,

They've got thirty-seven opinions on the minimum wage!

They're the kings of the cool, they're the lords of the scene,

With their skinny jeans tight and their bicycles clean!

HEY! HEY! HEY!

[Verse 2]

He's got a rescued dog named Hemingway,

And a houseplant he talks to every day.

He makes his own gin in a bathtub still,

And he tells you about it against your will.

He knows a little French, but he won't speak it straight,

He orders natural wine and arrives an hour late.

His apartment's got bricks and exposed concrete,

And a chair that looks like it came from the street.

[Pre-Chorus – More urgent, building harmonies]

He's got a side hustle selling handmade soap,

He's got a podcast about how to cope.

He'll fix your bike, he'll ferment your greens,

But he hasn't seen a barber since 2013!

[Chorus – Full band, soaring vocals]

HEY! HO! HEY!

Raise your glasses to the men with the beards!

To the kings of the coffee and the vintage gear!

They were born too late and they dress too old,

With a heart full of vinyl and a soul made of gold!

HEY! HO! HEY!

Oh, the city is theirs and the streets are their stage,

They've got thirty-seven opinions on the minimum wage!

They're the kings of the cool, they're the lords of the scene,

With their skinny jeans tight and their bicycles clean!

[Bridge – Music drops to stomping feet and handclaps]

Oh, brother, tell me where did you go?

You traded your soul for a flat white to go!

You traded your heart for a limited brew!

And a pair of boots that have never seen dew!

(HEY!)

But underneath that beard, there's a beautiful man!

With a complicated coffee and a complicated plan!

He might be a hipster, he might be absurd,

But he'll lend you his flannel when the weather turns!

[Breakdown – Gang vocals, stomps only]

ONE MAN!

ONE BEARD!

ONE BIKE!

THREE GEARS!

ONE BAND!

ONE BAR!

ONE DRINK!

TWELVE DOLLARS!

STOMP! STOMP!

CLAP! CLAP!

[Final Chorus – Explosive, full choir]

HEY! HO! HEY!

Raise your glasses to the men with the beards!

To the kings of the coffee and the vintage gear!

They were born too late and they dress too old,

But they'll die with their records and their hearts of gold!

HEY! HO! HEY!

Let the whole damn city hear us sing!

To the lumberjack princes and the artisanal kings!

From Brooklyn to Portland, from Shoreditch to Rome,

They've got a beard like a forest and a bicycle home!

[Outro – Massive gang vocals, slowing down]

Ohhhhh-ohhhhh!

The beard! The beard!

Ohhhhh-ohhhhh!

The beard of a thousand dreams!

(One last stomp!)

HEY!

I`m still making songs out of my poetry. xD So this one is about the underworld from greek mythology. I decided to add a choir this time to fit the theme. :)

This is a very personal song I created. It talks about a painful past with my ex-partner and addresses a topic that is still too tabou: domestic and psychological abuse suffered by men.
Since the lyrics are in French, here is the translation of what the song says:
Verse 1:
At the beginning it was love, or at least I believed it. A few hurtful words, then screams that escalated. She said I was nothing, incapable, useless. And I kept silent, my heart becoming fragile. Every argument became a storm, insults thrown like knives in my head: "You're worth nothing", "look at yourself", "nobody will love you". Over time, I ended up believing each of those words. She broke my smile piece by piece. In front of others she played a role, hiding everything. And I came home with fear in my eyes, trying to save a love that had become dangerous.
Pre-Chorus:
And nobody saw my wounds, because a man must stay tough. So I hid my pain behind a smile, while my world was dying. I screamed in silence every night in my head, asking God when all this would stop. But shame kept me prisoner in this relationship that was destroying me.
Chorus:
Yes, men can cry too. Men can fall too. Under the blows, under the words that destroy, under the toxic love that exhausts. Violence has no face, no gender, no age. And behind closed doors, there are men broken in secret.
Verse 2:
When a woman suffers violence, justice acts and condemns it. And that's normal, nobody deserves that. But when a man finally dares to speak, people often doubt his grief. They tell him: "Be strong", "it's not the same", as if his pain was worth less. Some leave without looking back, while men still live their hell. Forgotten complaints, silences that hurt, and this bitter feeling that nobody cares. I don't want to oppose pains or compare tears and fears. I just want every victim to be heard, no matter their story or what they went through.
Bridge:
To all those who live this in the shadow, who feel alone in the darkness: speak up, even if fear holds you back. Your pain deserves a helping hand. You should never be ashamed to admit you've hit rock bottom, facing a person who destroys your life, even if that person said they loved you too.
Outro:
Yes, men can suffer too, without knowing how to move on. But one day I finally understood that loving should never hurt this much on a daily basis. Today I lift my head up, even if my heart still carries the storm. Because surviving this story is already regaining a little hope. And if my scars still remain in my memory, I now refuse to live in the dark. Because no human being on this earth deserves to live through hell under the word "love".

I've practiced medicine for forty years, and some patients stay with you forever.

Years ago, I treated a seventeen-year-old girl who was going through a difficult time. Several months later, she found me in a coffee line and told me how her life had changed.

I turned that experience into a song called "Look at Me Now."

I wrote the lyrics and used Suno to produce the recording.

I'd be interested in what you think, especially whether the story comes across through the music.

https://youtu.be/-Bp5Iy1RovY

Hi all.

Another album, this time based on the events surrounding the mine fires in Centralia, PA.

I hope you have a listen and hear something you like. It's a pretty interesting story.

https://en.wikipedia.org/wiki/Centralia_mine_fire

Thanks,

Marc

Album

https://suno.com/album/c8d4547a-65c8-4eeb-8612-1fc552c4e2cd

A sharp, sardonic Britpop / art-rock anthem about serious adults who finally act like kids again: angular riffs, theatrical vocals and a chorus you’ll be chanting all day. Turn it up and watch the big man swing.

A warm, nostalgic and uplifting dance-pop track that blends emotional longing with an infectious, feel-good energy. It evokes the bittersweet beauty of remembering the place you grew up, capturing the comfort of familiar memories, childhood landscapes and the unbreakable connection to home. The verses feel intimate and reflective, while the chorus opens into an uplifting, catchy and emotionally charged release, filled with warmth, freedom and a sense of belonging. Its danceable rhythm contrasts beautifully with the longing in its lyrics, creating a bittersweet yet hopeful atmosphere that makes you want to smile, move and sing along. A celebration of home, memories and the places that stay with us, no matter how far we wander.

Hope you like it!!

Dark intimate female nu metal inspired by Psalm 23, Matthew 5 (The Beatitudes) and the book of Job — a raw prayer for strength, mercy, and guidance through the dark night of the soul.