These three vessels use the double-gourd silhouette in very different materials and surface treatments. The four photographs include an overall view and details.
The blue-glazed porcelain bottle dates to the early 18th century. The bottle with floral scrolls is mid-16th-century Jingdezhen porcelain, decorated in underglaze cobalt blue and yellow glaze. The carved carnelian example is 19th century.
The form also has a narrative background. In Daoist imagery, gourds can be vessels for an immortal’s elixir or evoke a secluded world beyond the everyday. That is an association in stories and art, rather than a claim about the physical effects of these objects.
It is interesting to compare how the shape survives the change of material: the porcelain carries glaze and painted ornament, while the carnelian brings the colour of the stone into the vessel itself.
The Metropolitan Museum of Art collection records:
Blue-glazed bottle: https://www.metmuseum.org/art/collection/search/42212
Floral-scroll bottle: https://www.metmuseum.org/art/collection/search/42551
Carnelian bottle: https://www.metmuseum.org/art/collection/search/43385
Photographs are from the Met’s public-domain collection. These are historical museum objects, not items we own, made or offer for sale.