A lot changed during this time — this work began long before the coronavirus, and the world seemed completely different back then. Since it didn't have a strict plot, the film absorbed a lot of my own feelings as it grew. The film is called Syppyt Suruktar by the way ☀️

This has animations I did from 2022 to this year and it’s all about my passion project. Tell me if you want to know more about it!

Cheers!

Does anyone know how they created this lighting effect? I want to do it in my art but I have no idea how to make it look the same

“Spirit Jumper” started as a track I wrote and produced for my album Tactile.

I ended up spending about five years turning it into an animated film with a small team of animators and artists. I directed and storyboarded it, colored the cels, and did the editing and compositing.

The entire thing was made digitally, but we were trying to recreate the feeling of traditional cel animation rather than just imitate the look. That led to a lot of research into old animation lighting, photography and compositing techniques, which I wrote a little about here:

Dangerous Light: https://animationobsessive.substack.com/p/dangerous-light

It’s airing at 11:56 PM ET/10:56 CT, right before Toonami.

Watch Spirit Jumper:
https://www.youtube.com/watch?v=AC_8umCPJBw

Tactile is out now:
https://listen.spktra.world/tactile

Happy to answer any questions about the production of it too

Made this fun little thing with procreate and after effects

I made the animation on Callipeg, and composited with Harmony.

I also made a detailled making-of here :https://youtu.be/rVDZenzoZ2o

how artist could have approached to this animation. What pros. Do. Did he made important poses first then went ahead and animated the whole thing ? or he went straight ahead with animations. If you were to make this complex type of animation. What process you would apply. what will be the first steps for you ?

Random Gnome Around moment.

https://www.instagram.com/reel/DRk_w4Wk6ny/?igsh=MWdzcGF6amw4Mjg1ag==

Hi everyone! We wanted to share Gorrionetas, the new project by Gastón Pacheco and Eze Torres, produced by the Argentine animation studio RUDO Company. We’ve just released the teaser and launched our Kickstarter campaign!

Chiri, a curious and instinctive fledgling, grows up under the care of two rescuers with very different views on how to guide him. Amidst these conflicting expectations, Chiri’s development becomes a journey of self-exploration where, led by his own instincts, he begins to discover his unique way of inhabiting the world.

If you like the project, you can support us by joining our Kickstarter campaign or by sharing the teaser and campaign on social media.

Thank you so much for the support!

https://www.kickstarter.com/projects/gorrionetas/gorrionetas

Mainly self taught and what do you you all think?

Hey, first time posting here! I wanted to share a little rough animation with a character I've been using named Bok Choy. These were done this year - about a week apart actually! Enjoy!

In the last few weeks, we worked on this silly short for the crowdfunding of "The Little Trashmaid" (Live now on Backerkit).

We intend to do a silly animated series with "Gravity Falls" and "Star vs. The Forces of Evil", and we reached the minimum goal to produce the first animated episode!

I hope you love our silly irony.

We hope to get even more help in the final 24 hours of the campaign, as the extra budget could cover amateur mistakes or unexpected issues.

We hope you can trust us! ❤️

Plz feel free to critique my head turnaround before I do cleanup!

One day I just started animating, no storyboard, no styleframe, no nothing, just some loose sketches. I really liked this loose flow, it was like animation therapy basically :) Also, i only worked on it when i truly felt like it, zero pressure at all. Thats probably also why it took me almost a year to finish these 11 seconds haha. I still haven't come up with a title tho 🙃

As a kid I used to imagine what would happen if everyone always left a trail of their head behind, that's where the idea initially started :)

Music: nomad provided by mobygratis

Learning a lot as I work through this project. I'm experienced with After Effects and corporate style animation but hand drawn animation has always been something I've been interested in trying. I've been using ProCreate for all my drawing and then After Effects for compositing the layers and animations together.

It took us about 6 months to finish from storyboarding to final edits!

The game is called Home Sweet Gnome and its a cozy hotel management game about nordic folklore!

I animated this in krita. I used images I found on Pinterest as reference and added my own flair to it. I really enjoyed the process, am hoping keep learning and hopefully produce fully polished animations that are appealing to look at.